April
OLIENA
Oliena
is a very old centre, rich in history and traditions. The presence of man in
this territory dates bac
k
to the Nuraghic Age. This is testified by the remains one will find both in
the complex Sa Sedda e' Sos Carros and in the old villages of Su Gurrutthone,
Ruinas and mount Tiscali: the latter is very peculiar because it is situated
in a karst dolina. Moreover, the outskirts of the village boast various places
of inestimable naturalistic interest, all of them particularly charming, characterized
by the presence of rich and endemic flora and fauna.
Gennargentu, Supramonte,
Pentumas, Gorroppus offer marvellous landscapes: a succession of rivers, gorges,
canyons and caves, favourite destination for most demanding excursionists. There
are numerous churches in the village (eleven exactly), very simple churches
provided with a bell gable, among which the old thirteenth-century parish church
of Saint Maria and the present parish church devoted to Sant'Ignazio of Loyola
(first half of the XVIII century) stand out. Among the numerous performances
taking place in Oliena, the Holy Week celebrations are the best ones, especially
"S'Incontru", which is one of the most typical, suggestive and p
articipated
mystery play of the island. "S'Incontru" was introduced into Sardinia by the
Spaniards: now, Sardinians are able to make it live again with unchanged expressive
force. From early in the morning, the streets of Oliena are busy, full of people
in their Sunday clothes and traditional costumes. Women show off rich silk costumes
decorated with gold and silver threads, men wear a "berritta" (= a cap) and
a short skirt made of coarse woollen fabric. At the appointed time, the simulacres
of the risen Christ and that of Our Lady depart respectively from the two churches
of St. Francis and Saint Mary, followed by a procession of believers.
Then the two separate processions meet at the church of Saint Mary, where, meanwhile, a big crowd had gathered, everybody waiting anxiously for the most suggestive and touching moment of the religious performance. Our Lady’s black mourning veil is taken off and the crowd exults cheerfully. Then, at the very moment when the Mother greets the risen Child, numerous people, leaning out of their windows, fire blanks. Finally, the procession walks to the church of Sant'Ignazio where the solemn sung mass, another important moment of the day, is celebrated. At last comes the “pagan” moment of the feast, with dancing and the tasting of wines and sweets typical of Oliena.
THE
MUSEUM OF SAINT ANTIOCO
"ARCHEOTUR"
Situated
on the island of the same name, the village of Sant'Antioco lies to the south-west
of Sardinia. The small island is linked up to the major one through a narrow
and partially natural isthmus. One ca
n
easily reach S. Antioco from the region of Sulcis-Iglesiente, which has a coastal
outlet. It is the very geographical position of this small island that made
up its own history all over the centuries. The oldest testimony dates back to
the late Neolithic age (around 2700 B. C.), but there are also, on the isthmus,
two menhirs, called “Su Para e sa Mongia”; the floor of a hut which was an ancient
“long-stay hospital”. Today's inhabited area and the domus de janas (= fairy
houses) of is Pruinis (small caves dug into the rock and used as a tomb) are
an important testimony, too. These tombs consist of underground rooms (simple
or double rooms) dug into the tuff, accessible through a staircase called “dromos”
which is a kind of corridor under the open sky. Most funeral outfits consist
of pottery, jewels, glass and masks, displayed in the city museum of via Regina
Margherita. The end of the 3rd century B.C. marks the conclusion of the Punic
domination in Sardinia, whereas the year 238 B. C. marks the beginning of the
Roman rule in Sant'Antioco and in the other Phoenician and Punic centres. This
period is testified by the the remains of a bridge, in the inhabited area; a
noble mausoleum called “sa Presonedda”; the ruins of an amphitheater; part of
the necropolis; part of the inhabited area; valuable remains of mosaics and
imperial statues. The catacombs below the Cathedral of Sant'Antioco, made out
of ancient Punic hypogea, are the most important testimony of Christian archaeology
in Sardinia. In the museum, an important collection of agropastoral tools is
displayed. There is also a most interesting show-room displaying the sea byssus
and the palmet.