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July

 


THE FESTIVAL IN TORTOLI AND ARBATAX



Situated in the centre of Ogliastra, in the south-east of Sardinia, Tortolì is easily accessible both from Cagliari and Nuoro and is only 3 kilometres far from the coast. Its landscape is characterised by the beautiful coast, with the impressive red porphyritic cliffs and the white beaches, among which the beach of Orrì is doubtless the one with the finest sand and the most trasparent sea. Not far from the town, there are some interesting archaeological sites: the most important is situated in the area between the road n° 125 and the beach of Orrì. Near Mount Terli, on the left side of the road leading to the beach, there are some “domus de janas”, which date back to 2700-1800 B.C.; these tombs are excavated in the rock, and are made up of semicircular cells communicating by means of quadrangular doors. On the right side of the road, in the area known as “S’Ortali e Su Monti”, and at about 400 metres far from saint Salvatore’s Church, there are the ruins of a nuraghe, a “Tomba di Giganti” (Tomb of Jiants) and two menhirs. The ruins of a village, dating back to the Roman age, are situated near the country church of Saint Lussorio, at about 3 kilometres far from the town. The woods of the mountain area, the lakes of the High Flumendosa and the “wedges” of Ulassai and Jerzu can be reached in a few minutes from Tortolì, either by car or with the famous “Trenino Verde” (Green Train). Everyday, comfortable motor-ships leave from Arbatax at 8.30 a.m. and from S. Maria Navarrese at 9.00 a. m.; they go up the coast and rech the beatiful beaches of “Cala Mariolu”, “Cala Sisine”, and “Cala Luna”, where a tourist can either spend a day on the sea-side or visit the Caves of Bue Marino, which are accessible only by sea. On the 2th Sunday of July, in Arbatax there is the festival of the patron, Madonna Stella Maris; towards sunset, after a procession in the town, the statue of the Madonna is carried on a fisghing-boat, followed by a number of boats, wich go round the harbour letting their sirens play happily. Since a few years a number of folklore meetings and events have beeen organised during the festival. An example is the “Festival of Fish”, during which the fish is given to the fishermen for free, and many games and competitions take place. At midnight, when the ship to Civitavecchia leaves from Arbatax, there is a great pyrotechnic display. On the 26th of July, there is the festival of Saint Anne, protectress of the women in childbirth. In the past, even the pregnant women of the nearby villages took part to this festival; in the morning they went to the mess and offered bunches of basil to the saint. In the afternoon, after the mess, there is a procession starting from Saint Anne’s Church: the people wear the typical dresses and clothes of the town and follow the statue of the saint. The following day, the festival takes place at the beach of Orrì: the people spend the whole day on the seaside, aeting the typical ravioli with potatoes and cheese, known as “culurgionis”.

 

 

THE ROUTE:

MASUA, BUGGERRU, FLUMINIMAGGIORE

 

This month’s route starts from Masua, wich is situated in Iglesiente (an area in the south-west of Sardinia) and is famous for the hanging port of the mine of “Porto flavia”. This complex of galleries, representing a unique example in Europe, extends for 800 metres and ends on the coast, just in front of “Pan di Zucchero”, a white rock of 132 metres in height, which is the oldest cliff in Italy. From Masua, a steep road leads to a plateau and to the loop road to “Cala Domestica”, a beautiful beach situated at the end of a fjord and characterised by a Spanish tower. Once back on the main road, go through the tableland of “Pranu Sartu”, where you will see the remains of the homonymous mining town and of the “Henry” gallery. The latter, crossed by the railway, was once used to carry the minerals and is now under renovation. After a few kilometres you will get to the end of the tableland, which overlooks the bay of Buggerru-Portixeddu. in the past, Buggerru was a thriving mining town. This village is characterised by sloping houses overlooking the sea; a beautiful beach where the surfers go all over the year; and, finally, a smalla but well-organised harbour, wich has been just widened and is situated next to the remains of a mining washery. After you have passed Buggerru, go along a wide sandy beach, which is two and ½ kilometres long and is surrounded by the old dunes of Saint Nicolò, characterised by an impressive pine-wood. At the end of the beach there is Portixeddu, a small village where people go mainly in the summer, with some resturants and a refreshment bar. From portixeddu, a road leads to Capo Pecora, and then to Arbus and Fluminimaggiore. Near the junction for these two towns there is a high “Pinus Pinea”, which is older then 200 years and is the only example of this kind of tree in Italy. Fluminimaggiore is a former mining town. Now that the mines are closed, this town is promoting an economy based on tourism, thanks to the sea, the mineral archeology and the Punic-Roman remains. In the centre of the town, there is the Paleontological Museum, where one can see many fossil of animals, dating back to 20 Million years ago; there is also the Ethnographical Museum, built inside a former water-mill, where one can see how a millstone works, ad well as visit the rooms previously inhabited by a typical family of Fluminimaggiore. There are also the tools most frequently used by the farmer and the housewife, such as the cart, the containers used for the cheese, the sieve and the loom. The Ethnographical Museum is tun by the co-operative Start-Uno (484 Via Vittorio Emanuele, Fluminimaggiore, tel num. 0781-580990), which has also arranged more than 50 routes to go on foot, by bike or on horseback; moreover, it offers a person the opportunity to venture upon free-climbing or paleo-watching, that is to observe and analyse the fossil traces, dating back to 590 Million years. These routes give us the opportunity to know the history of this area - which goes from the Neolithic to the Nauraghic and Punic-Roman age - as well as the various aspects of mineral archeology, botany, geology and palaeontology; they also allow us to visit an area characterised by minerals to collect and in spring by blooming orchids and unusual mushrooms.



MOGORO
THE CARPET AND CRAFT FAIR

 


Mogoro is the most developed and populated town in Marmilla. It is situated in the south of Mount Arci, near the plain of Campidano and the road n. 131 “Carlo Felice”. This area is famous for the ruins of many nuraghes, in particular the complex of “Cuccarada”, which is placed on a basaltic spur facing the road n. 131. In the town there is San Berbardino’s church, built in baroque style and dating back to the XVII century. The inside of the church consists of a nave and eight lateral chapels, where a little altar- piece built in 1619, a silver cross dating back to 1603 and other holy relies are kept. Carmine’s small church, built in the XIV century has a single nave: its facade is in late Romanesque style, while the later door is characterised by a Gothic arch and ornaments in Gothic style. Mogoro is famous for the carpet and craft fair, which this year (the 38th) will run from July 24th to August 8th at the Craft Centre. This fair represent one of the most important events in the arts and crafts sector; the main enterprises operating in the textile industry and in the fields of wood manufacture, ceramics, baskets, leather, wrought iron and jewellery take part to it. As usual the main role will be played by the craftsmen of Mogoro, who are very expertised in the fields of textiles and wood manufacture. In the past, the women of Mogoro wove all the olothes included in the trousseaus, from the blankets and table- cloths to the tapestries. Today, they still use horizontal hand looms, as well as natural textile fibres, like wool, cotton or linen; the only exception is represented by the golden and silvery threads which are used to decorate the beatiful tapestries. The carpets are made up of Sardinian wool and cotton, and are women according to the ancient techique “a pibionis” (that is, weaves composed of superimposed wefts); they are often copies of old blankets and fit in the classical as well as in the modern furniture. Since generations, the art of working the wood has been handed down from father to son, respecting the best Sardinian tradition. The production is generally composed of only copics, made up of first-rate wood and inlays inserted by hand. The chairs are bottomed with the straw of sciancia”, a marsh plant, whose leaves are dried in the sun and then humidified again before being used.